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Corey Stoll's 10 Best TV Roles, According To IMDb
Corey Stoll might not be a household name, but he is one of those actors who audiences will immediately recognize from his large body of work. Though his show career includes big roles like Darren Cross in Ant-Man and, most recently, as Uncle Junior in The Many Saints of Newark, Stoll's television career is filled with acclaimed credits.
RELATED: Every The Many Saints Of Newark Cast Member's Best Movie, According To IMDb
Stoll pops up in countless acclaimed dramas where he can always be counted on to deliver a memorable show. Whether he is playing an inspiring hero or a dastardly villain, Corey Stoll's top-rated television roles are nothing short of impressive.
Law & Order: Los Angeles (2010-2011) - 6.7
Stoll is one of the many actors who started out in Law & Order. Law & Order: Los Angeles followed the same basic setup as the other shows in the franchise with detectives investigating crimes and district attorneys prosecuting the offenders.
Stoll played Detective Tomas Jaruszalski and was the only actor to materialize in all episodes of the show's single season
Who Is Rooting for Corey Stoll in Appropriate?
This season, Branden Jacobs-Jenkins’s Appropriate enters lineage of our superb American shouting plays. The plot has a classic premise for yelling: three estranged siblings reunite to clean out their expired dad’s house ahead of an auction. In tow are their respective partners and children, who, favor the audience, have no idea how much things are going to escalate. Similar as Tennessee Williams and Tracy Letts before him, Jacobs-Jenkins, whose play premiered Off Broadway in 2013, uses family conflict to illuminate each family member’s personality and connected history: Franz (Michael Esper) is the youngest child and a fuckup who hasn’t been around, Toni (Sarah Paulson) is the oldest sister whose difficult experience makes her start hard conflicts, and Corey Stoll’s Bo — the classic middle child and Novel York dad, attempting to get through the week without losing too much money.
Bo and his wife Rachel (Natalie Gold) behave as audience inserts, familiar to Broadway theatergoes the point where they look to have a obstacle with them. The characters live in New York, they have the wealth to see a Broadway show, they want to seem cosmopolitan –
Corey Stoll
BIO
Corey Daniel Stoll (born March 14, 1976) is an American actor. He is best known for his roles as Congressman Peter Russo on the Netflix political thriller series House of Cards (2013–2016), for which he received a Golden Globe nomination in 2013, and Dr. Ephraim Goodweather on the FX horror drama series The Strain (2014–2017). From 2020 to 2023, he portrayed Michael Prince, a business rival to protagonist Bobby Axelrod, in the Showtime series Billions. He was also a regular cast member on the NBC drama series Statute & Order: LA (2010–2011).
Stoll played Darren Cross / Yellowjacket / M.O.D.O.K. in the Marvel Cinematic Universe films Ant-Man (2015) and its sequel Ant-Man and the Wasp: Quantumania (2023). For his portrayal of Ernest Hemingway in Woody Allen's Midnight in Paris (2011) he was nominated for the Independent Spirit Award for Optimal Supporting Male. His other notable films include Dark Mass (2015), First Guy (2018), The Seagull (2018), The Many Saints of Newark (2021), and West Side Story (2021). He acted off-Broadway in Intimate Apparel (2004) and on Broadway in Appropriate (2023).
Photos
Corey Stoll
by Moonah Ellison & Chesley Turner
photography by Leslie Hassler
Tall, strong-chinned, and dreamy-eyed, Corey Stoll is prefer the deluxe version of the American everyman, with the kind of phrase that always looks appreciate he’s got a delicious secret to tell.
And yet when Moves caught up with him, he was open, honest, and unassuming. No secrets. Just Corey.
With a steady stream of work over the past years—you may recognize him from Season One of Netflix’s House of Cards, or from the viral hit The Strain, currently on FX—Stoll keeps broadening his horizons and cultivating the craft. His characters run the gamut, but seem to have one thing in common: packed immersion.
“I love becoming absorbed in a character, creature able to create a meeting in which I can really dive in and fully commit. A lot of times, that’s on screen, but a lot of times, the mechanics of filming can get in the way of that. … There’s something about the theater where you are that role for the duration of the play, and there’s a satisfaction you get out of that.”
It’s been five years since Stoll’s been on stage, and he’s longing for the chance to knock the boards aga
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